Jo gets really into true crime and starts writing cool horror stories. Professor Bhaer, the Ana Mardoll of the 19th century, accuses her of Causing Harm through her writing and suggests she take up a new career as a street sweeper.
This episode could have been an hour-long anti-Bhaer hate rant, but our special guest, Andrew Leland, instead leads us into a wide-ranging discussion about the history of #OwnVoices, the morality of Murderinos, and blindness as metaphor. Andrew is the author of the memoir The Country of the Blind, published July 18 and available now from Penguin. He’s been an editor at the Believer since 2003, and he’s taught at Smith College, UMass-Amherst, and the University of Missouri. You can visit him online at andrewleland.org.
Our cover art is by Mattie Lubchansky. It interpolates the cover art for Bethany C. Morrow's book "So Many Beginnings: A Little Women Remix," with permission from Macmillan Children's Publishing Group. It also interpolates the cover art for Hena Khan’s book “More to the Story,” with permission from Simon & Schuster. Our theme music is Mozart's Piano Sonata No. 16 in C Major. This episode was edited by Antoinette Smith.
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This week, we're joined by special guest Tiffany Wayne, a historian and scholar of women, gender, and feminism. Dr. Wayne was an Affiliated Scholar...